Schu-Tone Pedal Clearance

Clearing out pedals I have built through the years. All pedals in good working condition. All pedals run off +9V power supply (no battery).

Shipping $8.00 in the USA. Buy three or more, shipping is free. International, email for shipping quote.

Email dan@schutone.com for pedal availability.

Schu-Tone Pedals

All Schu-Tone pedals include vinyl enclosure finish or etched powder coat finish

Compressors

Savant Compressor

$129 - The Savant is an optical compressor that gives you nearly endless sustain of your notes. If you have ever wanted your notes to ring out (nearly) forever, this is the compressor for you. The Savant starts with a Blend control that lets you keep your base tone intact, you can dial in the perfect amount of compression to your tone. The Sustain control determines the amount of squish to your tone, from subtle compression, all the way to endless sustain. Treble and Level controls let you dial in the perfect level to the sound. The secret weapon to this compressor is the Grit control and footswitch. This adds a Germanium flavored overdrive to the sound, its like getting an overdrive pedal as a bonus. Features soft-touch relay bypass. Controls for Grit, Sustain, Blend, Treble and Level.S

Amarillo Compressor

$109 - The Amarillo compressor is a mini take on high-end studio compression. This optical compressor gives smooth attack and decay of the compressed signal, and offering tons of sustain and volume boost to your signal. One of the best features of this pedal is the EQ section. Based on a tilt-eq control, this control moves the frequency response from darker to brighter tonal qualities, with a flat-eq at noon. If you don't want that, flick the switch to take the EQ circuit right out of the compressor. Features soft-touch relay bypass. Controls for Comp, EQ, Volume and switch for EQ Byp.

CP-2166 Compressor

$109 - If you are looking for a powerful compressor for your rig, the CP-2166 is where you need to start. The CP-2166 is a powerful compressor based on the SSM2166 VCA chip. This compressor has great flexibility to your sound. With controls for Threshold and Ratio, you can set the exact amount of compression that you are needing. The Gain control sets the exact amount of drive needed to keep your sound going, while the Gate control is a noise-gate to keep your signal quiet. Controls for Thres, Ratio, Gate and Gain.

Bench Press Compressor

$109 - Get pumped with the Bench Press Compressor. The Bench Press is a classic sounding compressor circuit with the added benefit of a blend control. The heart of the Bench Press is the Dyna Comp compressor. With the Sustain down low, the pedal works great as a booster, but you get almost unlimited sustain and squish as you turn the Sustain control up. An Attack control sets the time it takes for the squish to start. The Blend control is what makes this super powerful. If you are looking for slight compression, keep the blend down, but as you turn it up, more and more of the compressed signal becomes present in your tone. Controls for Volume, Attack, Sus and Blend.

Boost

Torrent Overdrive & Boost

$129 - Add a wave of tone using the Torrent. The Torrent features both a boost and overdrive circuits to give you great flexibility with your overdriven tone. The Boost section is a powerful clean boost circuit, one that will instantly make your tone better. There is a lot of volume on hand to push your signal, while the Tone control dials in the amount of treble you are looking for. The Drive section of this pedal is an amp-like overdrive sound that is reminiscent of a Marshall amp. The Treble and Bass controls are very powerful, letting you add just as much Treble and Bass as you need in your signal, while the Drive moves you through a myriad of overdrive and almost fuzz-like tones. Features soft-touch relay bypass. Controls for Volume, Tone, Volume, Gain, Treble and Bass.

Surge Boost

$SOLD - If you are looking for a powerful clean boost pedal with tone tweaking options, the Surge is for you. A truly transparent clean boost, this pedal offers a ton of high-headroom volume to your signal. The Gain control adds a little grit to your signal. Treble and Bass controls are active EQ tone-shapers, allowing you to cut or boost those frequencies to give you the sound you are looking for. Features soft-touch relay bypass. Controls for Volume, Gain, Treble and Bass.

Steel Phoenix Overdrive & Boost

$129 - The Steel Phoenix is a versatile 2-in-1 overdrive and boost pedal. The Steel side is an amazing sounding clean boost circuit. There is a ton of volume on tap to increase your signal. The gain adds minimal distortion to your tone, just giving it a little more body and oompfh to your sound. The tone control sweeps between a more bassy sound and a glassier treble. The Phoenix side can be described as Dumble-ish. The Gain control adds in plenty of drive, from a light boost to a nice compressed overdrive tone with increased sustain. Volume and Tone controls help you to dial in that sweet spot you are looking for. Features soft-touch relay bypass. Controls on each side for Gain, Volume and Tone.

Revelation Boost

$99 - If you want a change in your sound, you need a Revelation. The Revelation is a boost and tone-polisher pedal. Unlike traditional boosts, this pedal does not have a ton of volume boost on tap, but it makes up for it in the way it fattens and enhances your existing signal. This pedal works in much the same way as a Echoplex would sweeten your signal, even when the delay is not used. For the first part of the Volume controls rotation, the volume is boosted. After about half, the volume reaches its max and the tone is manipulated and sweetened. A fatness switch is added to add more girth and dimension to your sound. Control for Volume, switch for Fat.

Alloy Boost

$109 - Let the alloy sharpen your tone. The Alloy is a boost and overdrive pedal that can really shape your sound. The Alloy is a clean boost at heart, giving you more of your original sound. As you turn the gain and volume controls up, you start to add more fatness to your tone, as well as some natural compression. All the way up on the gain control, you are adding some dirty grit to your tone. The Tone and Mid controls help sculpt your tone to your exact needs. Controls for Volume, Gain, Tone and Mids.

Lightning Fist Boost

$99 - All the power of lightning, all the force of a fist. The Lightning Fist is a powerful booster, capable of driving your amp into saturation and natural compression. Even though it can really push the front end of your amp, it can do so much more than that. At lower volume levels, it adds a little presence and sheen to your overall tone, bringing to life even the most boring of tones. The Fat switch changes the range of boosted frequencies, adding some girth and saturation to the signal. Control for Volume, switch for Boost.

Fuzz

Gargantua Jr Fuzz

$Sold - Fuzz and Treble Boost in one. There is a lot going on in this mini-sized pedal. There is a full-featured Germanium Treble Boost in this pedal, giving you those dirty boosted tones heard on many classic recordings. Also, there is a full-featured Germanium Fuzz Face circuit in this box. You get all the functionality and sounds of two pedals in one small enclosure. The real magic is in the switch. Move to one position, and you have the treble booster, while the other gives you the fuzz face. In the middle position, you get the treble booster driving into the fuzz, saturating your signal. This mode is similar to a Tone Bender fuzz. Features soft-touch relay bypass. Controls for Boost, Volume and Fuzz, switch for Fuzz/Boost.

Tigerjaw Fuzz

$109 - The Tigerjaw is unapologetic in the gnarly fuzz that it produces. Based on the Roland Bee Baa fuz units, this is a new take on that circuit in a mini-enclosure. Snarling and aggressive fuzz is at your fingertips with this pedal . The shift switch gives you two distinct ranges for this fuzz. One is more full range, the other emphasizes the treble frequencies, giving a totally unique sound. Features soft-touch relay bypass. Controls for Volume, Fuzz, Tone and switch for Shift.

Vesuvius Fuzz

$99 - The Vesuvius is a fuzz pedal about to explode! Most people who use Fuzz Face type pedals always keep the Fuzz and volume controls dimed. This pedal takes out the middle-man and is a full-bore silicon Fuzz Face, everything maxed out. The single control knob is for the bias of the transistor to deliver different types of fuzz tone, from smooth to splattery and gated fuzz. The Range control changes the tonality of the frequencies effected by the fuzz. This pedal has a secret weapon hidden inside. Most fuzz face type pedals work best when they see the signal directly from the pickup. This pedal has a transformer-based pickup simulator inside, so it works perfectly no matter where in your chair you place it. Features soft-touch relay bypass. Control for Bias, switch for Range.

Sleeping Giant SI Fuzz & Boost

$129 - The Sleeping Giant SI is a beast of a pedal waiting for you to unleash it. Two classic circuits in one box. First is the boost section. This is a silicon version of the Rangemaster circuit. Lots of delicious sounding vintage boost. The Range switch takes you from the traditional treble boost, adding in both a mid and full range boost. The fuzz section is where this pedal really shines. It is a silicon recreation of the Tone Bender MK II circuit. No worrying about finicky GE transistors, the Silicon transistors in here are rock-solid. This delivers all the punishing fuzz tones you can ask for, and still cleans up well with your volume pot. There is also an order switch on here, determining which effect is first. With the treble boost fist, that adds an extra stage of saturation to the fuzz, making it even more over-the-top. With the boost last, you can increase the level of the fuzz, letting your tones soar. Features soft-touch relay bypass. Controls for Boost, Volume, Fuzz and Tone, switches for Range and Order.

Shatter Machine Fuzz

$109 - The Shatter Machine is the Octave Fuzz to make your windows break and peel paint. Based on the Super Fuzz that rocked Leeds, the Shatter Machine is a Germanium based Octave Fuzz machine. The Octave control lets you set the amount of upper octave that is present in the signal, while the Tone control oversees the total brightness of the pedal. The Fuzz is very versatile, from overdrive tones, all the way up to face-melting fuzz. The Volume control is no slouch either, giving you large amounts of volume boost to your signal. Features soft-touch relay bypass. Controls for Tone, Octave, Volume and Fuzz.

Radioactive Fuzz

$109 - The Radioactive is a a modern update on the classic Tone Bender pedal. Starting with silicon transistors, this pedal eliminates the issues that can sometimes come along with Germanium transistors. Input control approximates rolling back the volume control of your guitar, letting you decide how much fuzziness you want present in the circuit. There are two switches that drastically alter the tone of the pedal. The first switches from Pro to MK1.5 modes. This drops out the first stage of the Bender circuit, making it tonally closer to a Fuzz Face. The three-way range switch chooses three different voicing options to the fuzz. The Bias control lets you dial in if you want a more raspy to smooth fuzz tone. Features soft-touch relay bypass. Controls for Volume, Gain, Input and Bias, switches for Pro/MKII and Voicing.

Gargantua Fuzz & Boost

$SOLD - The Gargantua Fuzz is exactly what it sounds like, gargantuan levels of fuzzy goodness. This is a 2-in-1 circuit, consisting of two of the most used circuits of all time. The Boost side is a Treble Booster using a Germanium transistor to give you that sweet breakup. It adds a range switch to allow you to boost not just the treble, but the mids and a full range boost as well. The Fuzz side is a Germanium Fuzz Face. The added Bias control lets you go from gated to smooth fuzz tones. Additionaly, the Order switch changes what pedal goes first. With the Boost first, you can really saturate the Fuzz tones, with the Boost last, you can really jump the volume for searing lead tones. Features soft-touch relay bypass. Controls for Boost, Volume, Fuzz and Bias, switches for Range and Order.

Binary System Dual Fuzz

$139 - The Binary System has all the tonal power of two suns working together. The Binary System is two classic Fuzz and Distortion circuits working together to delliver sonic madness. The Fuzz side is a super tweakable Fuzz circuit, with controls and switches to make it your own. Switches and controls allow you to turn on and off the initial boost stage, the first fuzz stage, the second fuzz stage and the tone section. All those controls give you almost unlimited combinations of fuzzy goodness. The Distortion Circuit is a little simplier, but no less powerful. The big distortion has typical controls for Volume, Tone and Sustain. Where it adds to the original is having settings for Pre-gain to really drive the circuit, Focus to adjust its attack and Mids to help it cut through the mix.

Curd Fuzz

$109 - There is nothing cheesy about the Curd Distortion pedal. The Curd is a distortion/fuzz pedal that is unlike anything you have heard before. It is a super versatile and unique sound, with plenty of tone shaping options you can't find anywhere else. The Volume and Gain controls set the overall volume and fuzz of the pedal. The Tone control and switch are where this pedal really shines. The three-way switch changes the tone range of this pedal from a mid-boosted tone, a mid-scooped tone, or a mis-biased transistor gated tone. Add those options to the crushing fuzz, and you have something totally different. Controls for Volume, Gain and Tone; three-way switch for tone range.

Old Scratch Dual Fuzz & Octave

$129 - The only thing better than one fuzz pedal is two crushing fuzz pedals in one enclosure. Old Scratch is a triple whammy of doom, combining two amazing sounding fuzz circuits and adding an octave up to the mix, just to make things a little crazier. The Distortion side of the pedal is a huge sounding circuit capable of everything from gritty overdrive up to sustaining fuzz tones. Its combination of germanium and silicon transistors gives it a unique smooth sound not usually found in similar circuits. The Fuzz side is based on a Tone Bender circuit. This side is capable of thin and spitty fuzz tones as well as growling sustain with a few tweaks of its controls. The Octave up gives a swelling octave to the fuzz side.

Overdrive

T-1000 Germanium Overdrive

$109 - The T-1000 overdrive is a Germanium based overdrive pedal that will make your rig sing. The trio of Germanium Transistors in this pedal will give you tones similar to a naturally over driving amp. Warm and dirty, yet still transparent tones are all waiting for you in this pedal. Flipping the boost switch gives you more of the same, an addition to the gain of the pedal. The Tone control tames the high-end of your signal, still allowing your natural tone to shine through. Features soft-touch relay bypass. Controls for Volume, Gain, Tone and switch for Boost.

Stormcloud Compressor & Overdrive

$129 - Compression and overdrive at your fingertips. This unique combo pedal combines both a powerful compressor and an overdrive pedal that is capable of scorching lead tones. Starting with the compressor, this can be used either as a lead boost, compression to even out your attack, or up the sustain knob to give you that compressed, endless sustain sound. An attack switch changes the amount of time before the compressor kicks in. The drive side of this pedal is built to give you a clean boost, through Dumble-esqe lead tones, all the way up to high gain lead sounds. The Treble and Deep controls allow you to further tune your sound. Treble control working the treble frequencies, while the Deep control varies the mid-range of your sound. Features soft-touch relay bypass. Controls for Level, Sustain, Volume, Ratio, Treble and Deep, switch for Attack.

Transmission Germanium Overdrive

$109 - The Transmission has been received, and it sounds amazing! The Transmission boost is a Germanium booster/overdrive/preamp pedal based on 1960's consoles. The gain stage goes from slight gain, and as you turn it up and start to saturate the Germanium transistor, you create a more dynamic and gain filled tone that also thickens the mid-range. The Range switch works with the gain control to give you different ranges of gain. The Lo-Cut tames the high end of your signal while the volume boosts your sound. Features soft-touch relay bypass. Controls for Volume, Gain, Lo-Cut and switch for Range.

Transmission Germanium Overdrive

Thunderbird Overdrive

$129 - The Thunderbird is a mash-up of two amazing drive pedals. The Green side is designed to give you the tones of the vintage Supro amp used by Jimmy Page in the studio. The green channel really delivers those edge-of-exploding tones. The Hi/Lo switch emulates the two channels of that amp, giving you two different sounds to choose from. The Red side is a transparent low/medium gain overdrive pedal. The Gain control takes you from some thickening of your sound, all the way up to classic rock tones. Two gain ranges really add to the versatility of the drive. An added order switch changes what pedal goes first in the chain, allowing you to use the Green channel to boost the Red, or vice versa. Features soft-touch relay bypass. Controls for Gain, Volume and Tone on each channel. Switches for Hi/Lo, Order and Gain.

XL-II Overdrive

$109 - The XL-II is the overdriven/fuzzy sound that you need in your rig. Based on an overdriven tape machine, this pedal delivers plenty of distortion and fuzz. Starting with the Gain control, this takes you from mild distortion all the way to scorching fuzz sounds. Couple this with the powerful treble and bass controls, you can tailor the sound to whatever you need it to be. The Volume control is also super powerful, introducing huge amounts of volume boost. Features soft-touch relay bypass. Controls for Volume, Gain, Treble and Bass.

Trestle Overdrive

$129 - The Trestle is the bridge to amazing tone your rig needs. This pedal is inspired by the pedalboard of Robin Trower. This dual overdrive pedal consists of two similar, yet different overdrive circuits. The Green channel is based on a Tube Screamer, but stripped down to the essence of the circuit. This pedal gives you dynamic overdrive sounds, yet still cleans up well with your guitars volume knob. The Red channel is also Tube Screamer based, but with some modern updates. The red side still gives you that sizzle that you expect from a traditional tube creamer, but with the addition of a clipping switch gives you three distinct feels. Features soft-touch relay bypass. Controls for Volume, Gain and Tone, switch for Clip.

Skirmish Overdrive

$129 - Is the Skirmish the ultimate 2-in-1 overdrive pedal? That will be up to you to decide. Two classic overdrive circuits in one compact enclosure. The green side is what you expect it to be, based on a Tube Screamer. One major upgrade is the addition of a voice toggle to the green channel. This changes the bass response of the circuit, letting you choose between three levels of bass response. The Blue side is based on a Blues Breaker pedal. Like the green side, there is a voice toggle that changes the bass response of that side. Internally, there are two dip-switches to change the clipping options of each circuit. Features soft-touch relay bypass. Controls on each channel for Gain, Volume and Tone, switch for Voice.

Rohirrim Deluxe Overdrive

$129 - The Rohirrim Deluxe is the next evolution in the classic gold overdrive. This pedal has the sweet overdrive/boost capabilities that you have heard on numerous recordings, but adds in a few new features. The clipping switch changes the tonality of the overdrive. One position is the classic Germanium option, but the other position utilizes LED's for a more aggressive sound. The big departure from the original circuit is in the tone section. Instead of a single treble control, the Rohirrim Deluxe has both Treble and Bass controls. Set them to noon for a more neutral sound, or adjust them to boost/cut the bass and treble. Features soft-touch relay bypass. Controls for Gain, Treble, Volume and Bass, switch for Clipping So

Overload Dual Overdrive

$SOLD - The Overload Dual is a dual overdrive based on a prohibitively expensive pedal. Two creamy overdrive circuits are matched in in this pedal, giving you smooth and transparent overdrive tones. You can set each channel to give you different sounds, or stack them both together, giving three sounds in one box. Rock and Jazz switches changes the tonality from warm and mellow to a bit more mid-focused sounding. Features soft-touch relay bypass. Controls for Volume, Accent, Tone, Drive, switches for Rock/Jazz.

Neutralizer Overdrive

$109 - If you are looking for an overdrive that isn't your standard Klon, not your standard tube screamer, but maybe something a bit in between, the Neutralizer is for you. The Neutralizer functions just as well as a clean booster or natural sounding overdrive pedal. With the drive control set low, more clean signal is allowed through, letting your tone shine, and not be overpowered by the clipped signal. Increase the drive, and listen as the sweet overdrive tones shine through. A clipping switch lets you modify the nature of the overdrive tones. Features soft-touch relay bypass. Controls for Volume, Drive and tone, switch for Clip.

Oxnard Overdrive

$109 - The Oxnard overdrive isn't your standard TS-based overdrive pedal. Volume and drive sections of this are similar to the classic tube screamer, but where the Oxnard deviates is in the tone section. Active gyrator-based tone controls allow you flexibility to boost or cut your treble, mid and bass frequencies. Want to really accentuate the mids? Dial back bass and treble, and crank the mid pot. Want a scooped tone? Do the opposite! Features soft-touch relay bypass. Controls for Volume, Drive, Treble, Mid and Bass.

Ignitor Deluxe Overdrive

$SOLD - The Ignitor deluxe is a two channel, singing sustain overdrive pedal. Offering the "bloom" and sweet tones found in very, very expensive boutique amps. This pedal offers two switchable channels of this amazing tone. Set one for rhythm sounds, hit the switch, and you can have a volume and gain boost for lead tones. External controls for tone shaping add to the flexibility of this pedal. Features soft-touch relay bypass. Controls for Volume A, Gain A, Volume B, Gain B, Tone, Dynamics, Shape, Mids, Bass and Presencs. Switch for Clipping options.

Ignitor Overdrive

$SOLD - The Ignitor is the smaller brother of the Ignitor deluxe. Packing the same sweet sustain of the Deluxe version, just in a smaller package. Capable of those sweet Dumble tones at a manageable price tag. Smooth overdrive tones at any volume level. Internal controls for Bass, Mid, Shape and Presence give you a set-it-and-forget-it approach, so you can dial in the amount of gain and dynamics that you want your sound to have. Features soft-touch relay bypass. Controls for Volme, Gain, Tone and DynamicsSold

Gaslight Overdrive

$109 - The Gaslight is a great amp-in-a-box emulation pedal. Based on the 5F6 Tweed Bassman circuit, the Gaslight gives you those sounds without lugging a 4x10 cabinet around. Volume and tone controls let you dial in tweed crunch and overdrive at more manageable levels. Since the tweed Bassman and Marshall JTM are very similar, there is a switch inside the pedal to turn it into a Marshall emulation as well. Features soft-touch relay bypass. Contrls for Volume, Gain, Treble, Mid and Bass.

Downpour Boost & Overdrive

$129 - Let your tone pour down like a flood! The Downpour is a 2-in-1 overdrive/boost pedal perfect for blues and classic rock tones. The Boost is a clean, transparent boost pedal. It adds some sparkle and that oomph that your tone needs. The Drive circuit is similar to the tone found on a Blackface Fender amp. Boosting the gain gives you some drive and compression, while the tone controls allow you to boost or cut to your hearts content. Features soft-touch relay bypass. Controls on the boost circuit for Boost and Tone, Volume, Drive, Treble and Bass on the drive circuit.

Corkscrew Overdrive

$129 - The Corkscrew is a 2-in-1 overdrive that will suit all your needs at home, on stage or in the studio. Two classic circuits that play well on their own, as well as stack amazingly well together. Red channel is a take on the classic Bluesbreaker circuit, with the addition of a presence control to add back some high end. The Green channel is based on the ODR-1, with a bass control to dial in or out the amount of low end. Features soft-touch relay bypass. Controls for Drive, Volume, Tone and Pres on the red channel, Gain, Volume, Spectrum and Bass on the green channel.

Colosseum Overdrive

$109 - The Colloseum is a british-based overdrive pedal with modern tweaks. Based on the Bluesbreaker pedal, this adds more tonal options, a real swiss-army knife. Standard volume and drive controls give you level and amount of gain, but the tone section has been overhauled giving you control over treble and bass, as well as the high end with presence. Three clipping options and two gain modes lets you take this from mean to scream. Features soft-touch relay bypass. Controls for Volume, Drive, Bass, Treble and Presence, switches for Gain and Clip.

Assasin Dual Overdrive

$129 - The Assassin is a 2-in-1 overdrive pedal that will cut down the competition. There are two classic overdrive pedals inside the Assassin. The Green side is a classic mid-humped overdrive. Use it as a clean boost with the gain down, or use it as a primary dirty rhythm as you push the gain control up. A three-way clipping switch gives you more tonal options. The Red side is an overdrive that is perfect to drive the blues away. It is very tube like in its overdrive characteristics, giving you creamy overdrive tones. The Tone and Bass controls give you the opportunity to dial in the exact tone you are looking for. Controls for Volume, Drive, Tone and switch for Clipping on the green side; Controls for Volume, Gain, Tone & Bass on red side.

Death Ray Deluxe Overdrive

$129 - The Death Ray is one of the most versatile overdrives you will ever find. The base of the Death Ray Deluxe is a super transparent and organic sounding overdrive, with a powerful EQ section. In addition to that, there is a clipping switch to give you even more options for your overdriven sound. Tack on a footswitchable boost to give the drive a little more, and you have a very versatile pedal. But it doesn't end there! There is an effects loop and a 5-Band EQ circuit added to the pedal. There is an additional switch to have the EQ come on with the boost or be always on.

Dynamo Overdrive

$109 - Rev up your sound with the Dynamo. The Dynamo is an overdrive circuit that will put all others to shame. Start with the volume and gain control setup. There is plenty of volume to push the front of your amp, so with the gain down low, it works as an excellent boost pedal. As the gain gets turned up, more and more distortion and overdrive is pumped into your rig. At the top ends of the gain range, an almost fuzz like tone can be had. In those situations, the volume control works amazing to keep the overall level manageable. The Bass and Treble cut and boost those two frequencies, giving you total control over the sound that you are after. Controls for Volume, Gain, Bass and Treble.

Gutwrench Overdrive

$109 - Give your sound a real kick to the gut. The Gutwrench overdrive is a powerful sounding overdrive that is capable of creating nice fat overdriven sounds. With Drive levels low, the Gutwrench works as a clean boost pedal. When you dial the Drive up, you are creating a thick distortion sound with plenty of edge and bite to it. The Presence control acts as a tone, adding more midrange and punch to your tone. The Blue switch changes the clipping method, giving you a smoother overdriven tone. Controls for Volume, Drive and Presence; Switch for Clipping.

Lariat Dual OD & Dist

$129 - Control your overdriven sound with the Lariat. The Lariat consists of two classic overdrive and distortion circuits that has a proven track record of performing well together. First is an overdrive circuit capable of insane levels of volume and gain. Use it as a boost with the gain low to push the next stage, or use it on its own with the gain higher to work between overdrive, distortion and fuzz. Add in a capable EQ section and you have the perfect first stage in a multi-overdrive setup. The Distortion section is a classic Fuzz-like Distortion capable of creamy sustain and lead tones. The EQ section of that adds a mids control that helps the pedal to cut through for lead passages. Controls on the OD side for Volume, Gain, Treble and Bass; Controls on the Distortion side for Volume, Sustain, Tone and Mids.

Lizard Overdrive

$109 - Your sound will get green with envy while you use the Lizard overdrive. The Lizard is a tube-like overdrive pedal that blurs the line between an overdrive and a fuzz. It takes the tone you already have and pushes it into rich, sustaining fuzz and distortion. The drive control really works well to take your signal from overdrive, to distortion all the way up to fuzz territory. Even as you explore all the textures that this pedal has to offer, it doesn't lose any warmth or harmonic content that you want. The Shift control changes the characteristics of the mids from more of a flat-mids to a scooped mid tone. Controls for Volume, Gain and Tone; switch for Tone Shift.

Madman Overdrive

$119 - Start playing like a wild child with the Madman. The Madman overdrive is based on classic Vox amps of the 60's used by one of the most popular bands of all time. The Gain and Mids control are what really make this pedal sing. The Mids control can either boost or scoop the mids of your tone, adding more saturation as you dial it up. The Gain control adds light grit at the low end of its rotation, but it adds some crunch as you move it farther up the dial. When you feel like you want just a little more, the Boost section adds a jolt of extra volume to your signal, perfect for lead sounds. Controls for Volume, Gain, Mids and Boost.

Outcast Overdrive

$109 - Come in from out of the wilderness. The Outcast Distortion is a sweet sounding germanium distortion pedal that will give you crushing tones. Based on a singing distortion pedal, the Outcast gives you all the big-box sounds you expect in a small package. The Sustain control sets the amount of singing drive tone, tone that is made possible by some Germanium diodes, giving it a unique sound. The Tone control adjusts between dark and bright, and the Contour changes the tonal focus of the pedal. The Volume control sets the overall level of the pedal. Controls for Volume, Sustain, Tone and Contour.

Siege Breaker Overdrive

$119 - Break out of your rut with the Siege Breaker. The Siege Breaker is a classic mid-hump focused overdrive pedal with some unique features that will give it a place on any pedalboard. The pedal has your standard compliment of Volume, Gain and Tone controls that you are used to. The Gain goes from clean boost and slight grit, up to raucous distortion. What sets this pedal apart is the 4-way rotary switch to change the clipping options, giving you four different flavors of distortion. Symmetrical, Asymmetrical, LED and no clipping give you plenty of tonal options to play around with. A Fat switch shifts the tonal frequency, giving more body to your sound. Controls for Volume, Drive and Tone; Rotary for Clipping and switch for Fat.

Smokehouse Overdrive/Tremolo

$129 - Bring the fire to your sound with the Smokehouse. The Smokehouse is a Overdrive/Tremolo pedal that will emulate classic amps of the early 60's. The overdrive section is based on those early 60's amps, giving you the tone and feel as if you were actually plugged into one. The tone-stack of the overdrive section is based on what is found in those amps, giving you wide range of the sound it can produce. Added to this pedal is a harmonic tremolo circuit typically found on these amps. The Harmonic Tremolo gives unique movement to the sound, something out of the ordinary from a typical tremolo circuit. A switch allows you to change the order of the two effects. Controls on overdrive for Volume, Drive, Treble, Bass and Presence; Controls on Tremolo for Rate, Depth, Level and order.

Snake Driver Overdrive

$109 - Drive your tone with the Snake Driver. The Snike Driver Overdrive is made to emulate sparkly Vox amps. If you want to give your current amp a cranked Vox-y tone, this is the pedal for you. The Drive and Voice controls work in tandem to create the unique drive tones you hear. As you up the drive, you can go from gritty cleans up to screaming lead tones. The Voice control changes the tonality of that drive. A Treble control works as a high end cut to further tweak the sound to your needs. Controls for Volume, Voice, Drive and Treble.

Source Code Dual Overdrive

$129 - Get to the root of amazing tone with the Source Code. The Source Code is based on a legendary dual overdrive/fuzz pedal. The Source side of the equation is the overdrive in the unit. It is perfect for livening up your rig, giving just the right amount of tube-like grit to your sound. Going into a clean amp, this pedal provides some life to your signal; going into a dirty amp, expect to find singing harmonics and searing lead tones jumping out at you. The rotary control works in conjunction with the tone control, offering different tonal shifts of your sound. The Cheese side is the fuzz pedal that you never knew you wanted. It is a powerful and aggresive fuzz that works well with just about anything you can throw at it. The rotary on this one is especially powerful, giving you mid-boosted, mid-scooped or gated sounds. An effects loop on the back of the pedal adds versatility to the pedal, allowing to you swap the order of effects, or put another effect between them.

Southen Cross Dual Overdrive

$129 - Find your way with the Souther Cross Overdrive. The Southern Cross consists of two similar, yet different transparent overdrives, both meant to compliment and push eachother. The Sea side of the pedal is a natural sounding overdrive, bursting with harmonics. This isn't a high-gain monster, it excels in low to mild overdrive. Along with the mild overdrive tones, it has a smooth overdrive characteristic. The Land side is a little higher-gain than the Sea, but still delivering the same dynamic overdrive as the Sea. The Land also has a more mid-focused tone, really allowing your tone to cut through. There is also an order switch on the pedal, giving you options on stacking the two pedals together.

Spike Overdrive

$109 - Hit your tone right on the head with the Spike overdrive. The Spike overdrive is an emulation of a full stack amp in a small enclosure. You will be breathing fire as you tweak the controls of this pedal. The gain control brings the thunder from mild breakup all the way up to crunchy tones. The Tone control further refines your overdrive, giving it that deep rumble or a more biting sound. There is also a Bass switch that adds even more low end into your signal. Controls for Volume, Gain and Tone, switch for Bass.

Tightrope Dual Overdrive

$129 - You will be walking the tightrope all night with this overdrive. The Tightrope overdrive is Texas blues in a box. Consisting of a preamp and overdrive circuit, this will make any rig boogie. The Preamp is based on a '65 clean platform amp. With a full tone-stack to adjust your tone, you can dial in sparkly rhythm tones, or dial the bass up to let it rumble. The amp side is pretty low gain, but if you engage the boost switch, it adds much more gain and overdrive to your basic tone. The overdrive is based on the green overdrive we all know and love. It has been further modded to add a switch for different clipping options, as well as a range switch to change the gain range and bass response of the overdrive. If you find yourself wanting a little more headroom on this pedal, the Voltge switch converts the voltage to +18V internally, giving you more clean headroom.

Ursa Major Dual Overdrive

$129 - Be on your way to your true north with the Ursa Major dual overdrive. The Ursa major is two overdrive circuits in one enclosure. The North side is a sweet sounding overdrive, perfect for rhythm playing, adding some thickness and bite to your normal tone. Imagine if a Klon and a Tube Screamer had a sonic baby, and you would be on the right track with the North OD. The Gain control acts as a blend between the dirty overdrive and the clean signal. The Tone and Mids section work together to allow you to push your tone where you need it to go. The South side is more of a distortion circuit, perfect for screaming lead sounds. It is reminiscent of a cranked full stack, giving you plenty of harmonics. Controls on North side for Volume, Gain, Tone and Mids; Controls on South side for Volume, Drive, Tone and Mids.

The Boxer Overdrive

$109 - Take it on the chin with the Boxer Overdrive. The Boxer is reminiscent of a full stack amp, delivering crunch and thundering distortion. The distortion and overdrive of this pedal are very amp-like in their characteristics, emulating the clipping response of an actual amp. The EQ section of this pedal is also interesting. In most amps, the Treble, Mid and Bass are all interactive with eachother, not so with the Boxer. The EQ controls all cut and boost those frequencies, making it easier to tailor the sound you are looking for. Want to scoop the mids? Just bump up the treble, bass and cut the mids. If you want a more cutting sound, boost the treble and mids, while backing the bass off. This feature also helps to tailor the sound to the specific amp you are using. An integrated buffer also keeps your pure tone intact, even when the pedal is not engaged. Controls for Volume, Drive, Treb, Mid & Bass.

Hawksnest Drive Machine

$149 - The Hawksnest is the ultimate drive section in one single pedal. The Hawksnest overdrive is three separate gain stages capable of delicious overdrive, cutting distortion and all out fuzz madness. The Overdrive section adds the perfect amount of sparkle, grit and growl to your tone. You will find smooth and thick overdrive tones, but sounds that still cut through when they need to. The Distortion section has a creamy voice, something that blurs the line between distortion and fuzz. This pedal gives you agreesive and articulate tones, no matter where you have the knobs set. The Fuzz section is like a vintage fuzz pedal, without any of the quirks. It is agressive and cutting, perfect for nailing those vintage fuzz tones. This pedal has a fat sound that will really bring the thunder. A unique switching system lets you change the order of effects around, giving you more tonal options when you use them in a stack.

Moose Knuckle Dual Overdrive

$129 - With all the power of a wild Moose, this is the perfect addition to any pedalboard. The Moose Knuckle is a combination of two amazing overdrive circuits. The green side is a mid-gain overdrive, perfect for pushing your amp into creamy overdrive and distortion. The mid-boosted nature is perfect for cutting through and being heard in the mix. An additional clipping control adds even more flavors to the overdrive characteristic of the pedal. The Red side is a harmonically rich overdrive. As you turn up the drive control, you will get tones similar to a crunchy tweed amp. This side can be lighter with the drive down low, but can also unleash its brutal sounds as you turn the drive up. A hi-cut control helps to tame the upper frequencies in this pedal. There is also an order switch to change how these two stack into each other.

Vulture Deluxe Drive Machine

$149 - All the drive tones you could ever ask for in one box. The Vulture Deluxe combines three different circuits to create the ultimate dirt section for your pedalboard. We can start with the boost section, which offers up to +27db of clean boost. This is your original signal, just louder! Engaging the Gain switch, you add some grit and overdrive to the boost. The Green overdrive is a classic mid-humped overdrive, giving you overdriven sounds that would be perfect for almost any situation. The Gold is a legendary overdrive, delivering harmonically rich overdrive and distortion, just like a cranked tube amp. It also works amazing to boost your sound as well. What makes the Vulture Deluxe so versatile is the switching. There are two order switches on this pedal; the first sets the order of overdrives, Green into Gold, or the other way around. The second switch determines the placement of the Boost. You can set it to be before the OD's and give them a kick, or have it after to set the overall level.

Distortion

Eidolon Dual Distortion

$129 - The Eidolon is your Smashing Pumpkins tone in one box. Similar to the rig Billy Corgan ran on Siamese Dream, this box contains both an Op-Amp Big Muff and a recreation of the MXR Distortion II. The Distortion II is a unique distortion circuit that can go from clean to pretty crunchy. The BMP circuit makes you feel like your amp is about to explode! It has a different tone and feel than the transistor Big Muff. A Tone-Bypass switch adds even more gain to the distortion. Features soft-touch relay bypass. Controls for Volume, Sustain and Tone, with a switch for Tone-Bypass on the Muff side, Controls for Level, Drive, Resonance and Filter on the Distortion side.

Dirty Martini Distortion & Boost

$129 - The Dirty Martini is a super versatile overdrive pedal. Essentially, it is four (or five) overdrives in one. It starts with a modded Distortion+ circuit, and adds four different clipping options. Silicon for traditional drive, Germanium to warm up your tone. LED clipping is a bit more brash, and the None setting is a clean drive. Add in a dirty boost at the end, gives you plenty of tonal options. Features soft-touch relay bypass. Controls for Volume, Gain, Tone and Boost, rotary for clipping options.

Pi-Factory Distortion

$129 - The Pi-Factory is a hot-rodded Big Muff with more mods than you can shake a stick at! The roots of this pedal is a Ram's Head Muff circuit, with mods to just about everything. First mod on this pedal is the addition of a blend circuit. This makes this version perfect for bassists, allowing your base tone to shine through and letting in the perfect amount of creamy distortion. Switches for HPF and LPF play with the high and low pass filters, changing the feel of the pedal, while Clip and Bender switches play with the clipping diodes of the circuit. A Mid pot allows you to dial in the perfect amount of mids to cut through the mix, or nix the tone section all together (and boost the gain) by flipping the tone bypass switch. Features soft-touch relay bypass. Controls for Blend, Sustain, Tone, Mid and Volume, switches for LPF, HPF, Clip, Bender and Tone Byp.

Escape Hatch Distortion

$109 - Start looking for the exits with the Escape Hatch. The Escape Hatch is a high-gain distortion pedal capable of shaking the walls. But don't think that this is a one-trick pony, this pedal can provide a wide range of differing tones. The EQ section is capable of both cutting and boosting the treble and bass, allowing to you scoop out the mids for super chunky rhythms, or boost everything to really cut through the mix. Controls for Volume, Gain, Bass and Treble.

Mudhorn Distortion

$109 - If your tone is stuck in the mud, the Mudhorn is what you need to get out of your rut. The Mudhorn is a high-gain distortion circuit in a small size. Playing with the Mudhorn's gain control, you can adjust it to deliver high-gain cutting lead sounds all the way up to thundering rhythm sounds. With pleny of volume on the level control, there is plenty of boost available in this pedal. The Air and EQ controls work together to further shape the tone you are looking for. The EQ is a standard tone control, shifting between darker and lighter tones. The Air adds some more high-end and presence to your sound. Controls for Volume, Gain, EQ and Air.

Thundercrack ++ Distortion

$119 - All the thunder you can handle, times two! The Thundercrack++ is based off of the same classic yellow distortion as the Thundercrack and Thundercrack Jr., just doubled up. This pedal consists of those two circuits wired up in series. Use one as your base rhythm tone, and when you need to push it over the top just a little, engage the second. It works great for rhythm/lead work. Or just set it up as one switch is "Loud" and the other is "Louder"! Controls on each side for Volume and Gain.

Modulation

Replicant Deluxe Chorus

$129 - The Replicant Deluxe is a do-it-all analog chorus pedal. The starting point of the Replicant Deluxe was the Small Clone Chorus. First addition was a mix-control that takes you from 100% wet to 100% dry tones. The feedback control is something that is not typically included on most Chorus circuits. Alongside the range and delay controls, this can allow for some pseudo-Flanger and Slapback delay sounds. The Delay control changes the delay setting of the chorus, letting you get almost double-tracked guitar sounds from the chorus pedal. The Range switch changes the delay range of the circuit, going from tight chorus sounds, to very seasick, warbly tones. One of the coolest features is the dual speed and depth controls. The footswitch lets you change from two different chorus settings. Features soft-touch relay bypass. Controls for Mix, Feedback, Delay, Speed A, Speed B, Depth A, Depth B and a switch for Range.

Spiralizer Deluxe Vibe

$129 - Swirly Uni-vibe tones are at your fingertips with the Spiralizer Deluxe. The optical based circuit mimics the classic tones of a vintage Uni-vibe circuit. The addition of a CH/VB switch makes this pedal super versatile, adding the clean tone for phaser/chorus sounds, or leaving it out for true vibrato. Low and High tone controls give you control over the low-end throb or the high-end sparkle of the vibe sounds. What really sets this apart is the two footswitchable speed ranges. Set one side for a fast leslie-like warble and be able to instantly switch to a slow, lush modulation. Features soft-touch relay bypass. Controls for Rate, Int, Low, High and Level, switch for CH/VB.

Replicant Dual Chorus

$109 - The Replicant dual features some of the things that make the Replicant Deluxe special, but in a smaller package. All that is left is the basics to make a great chorus. This one still gives you the versatility of setting two distinct chorus sounds, letting you switch between the two. Set one up for a fast rate, low depth for an almost leslie-like sound, and keep the other side to a slow, just-a-hint-of-movement type tone. The three Range settings take you from out-of-control seasick waves, to a much more subdued chorus sound. Features soft-touch relay bypass. Controls for Rate A, Depth A, Rate B, Rate A and a switch for Range.

Lodge Stereo Phaser

$129 - The Lodge is a modern take on the classic Ibanez Flying Pan pedal. This pedal lives to be a part of your stereo rig. Hooking this up to two amps, this creates an amazing stereo spread thanks to the pan circuit. Slow the speed of the pan down for a nice, gentle transition from amp to amp. Add in the optical phaser circuit, and you have something that is out of this world! If you run a mono rig, no worries, this pedal still will work amazing for you. In a mono rig, the pan becomes a tremolo, and the phaser still sounds just as amazing as before. Controls for Phase Speed, Phase Feedback and Pan Speed. Rotary switch for right output, left output or Stereo.

Carkoon Multi-Modulation

$109 - The Carkoon is a pedal that does a little bit of everything. The Carkoon is a multi-modulator pedal. Inside is a Vibrato, a Tremolo, a Phaser and a Wah. The Rate control adjusts how fast the modulation goes, while the Range knob sets how deep it is. The Auto/Man switch will disconnect the LFO for the modulation. In Man mode, the Range control sets a fixed point for the modulation. Controls for Range and Rate; Switch for Man/Auto and 4-way rotary for Vib, Trem, Phase & Wah.

Drop Anchor Tremolo

$109 - When the waves pick up, its time to Drop Anchor! The Drop Anchor Tremolo is an opitcal tremolo pedal that will give you pulsing waves reminiscent of the ocean. A simple control layout gives plenty of options for tweaking the response of the pedal. The Mix control sets the balance between dry and tremolo signal, while the pulse control sets how fast the tremolo moves. The Intensity control increases how hard the tremolo circuit is driven. The Volume control acts as a boost, so while the tremolo circuit is active, there will be no percieved loss in volume. Controls for Volume, Mix, Pulse and Int.

Exterminator Chorus/Flanger

$129 - The Exterminator is not like your traditional chorus pedal. The Exterminator lies somewhere in between a Chorus, a Vibrato and a Flanger pedal. The heart of the Exterminator Jr. is a MN3007 bucket-brigade chip that is run internally at +15v. This gives the pedal amazing headroom for whatever you throw at it. The controls for Rate and Depth set the intensity and speed of the chorus tones. Where the real fun comes in is with the VB/FL switch and the CH/VB control. When the switch is in VB mode, the CH/VB acts as a mix control, letting you go from 100% wet vibrato sounds, to full on chorus sounds. In the FL mode, it is a pseudo-flanger with added regen to the original sound. With the CH/VB control, there are a myriad of different tones to be found in the Exterminator. If you are looking for a modulation pedal that is a little out of the ordinary, the Schu-Tone Exterminator needs to be on your list!

Heartstopper Tremolo

$109 - Make sure there is a Doctor in the house when you use the Heart Stopper Tremolo. The Heart Stopper is a pulse tremolo that is reminiscent of vintage amps. There is no gradual sine-wave tremolo here. If you want choppy, square-wave tremolo action, the Heart Stopper is for you. The Rate and Depth controls change the speed and intensity of the tremolo signal. These work in conjunction with the three-way Range switch. As you move the switch, the speed range increases. The pedal moves from slow amp-like pulses, and can be increased to ring-modulated like waves of tremolo. The Volume control keeps this all in check, keeping your overall rig volume the same. Controls for Rate, Depth and Volume; three-way switch for Speed Range.

Marauder Vibrato

$109 - Get on the move with the Marauder. The Marauder is a modulation/vibrato pedal that adds tape like movement to your sound. If you are looking to add lo-fi warped vinyl and tape flutter to your rig, this is the pedal for you. The Tape section starts with the Depth control. This changes the delay time for the flutter, adding more separation of the warped sounds. The Speed control simulates how fast the tape is moving across the head, from slow warble all the way up to super fast movement. The Wave control takes it from a gentle square wave up to an abrupt square wave signal. The Blend control is a mix between your clean signal and the modulated signal. Controls for Blend, Speed, Wave and Depth.

Recoil Harmonic Tremolo

$109 - Get ready to feel the movement of the Recoil. The Recoil Harmonic Tremolo is not like your typical tremolo pedal. The Recoil takes your signal and splits it in two, high frequencies and low frequencies. These two signals are put out of phase with eachother, and then send through the ringer of the Tremolo circuit. So instead of simple volume modulation (which this still does), by modulating the high and low frequencies separately, this adds some movement and something different to your signal. Rate and Depth adjust the speed and intensity of the tremolo. The Wave control moves you from a choppy square wave to a smooth sine waveshape. Controls for Wave, Rate, Depth and Volume.

Replicant Stereo Chorus

$119 - Double up with the Replicant Stereo Chorus. The Replicant is a sweet sounding chorus pedal with some useful mods to add to the functionality. Unlike many chorus pedals, the Replicant has a Mix control that lets you adjust the exact ratio of clean to modulated signal that comes through. At the low end, you only hear the clean signal. At the opposite end, no clean signal is present and you get just wobby modulated sound coming through. There are two controls for Rate and Depth giving you two presets that you can switch between for two sounds in a single pedal. The Range switch gives you three different intensities of wobble. In one position, you get very subtle movement, and as you change positions, the depth of wobble gets deeper and more intense. The Stereo outputs are a true stereo, giving you chorus sounds out of both outputs as the pedal is engaged. Controls for Rate A, Rate B, Depth A, Depth B and Mix; three-way switch for Range.

Replicant Super Deluxe Chorus

$129 - If you are looking for the ultimate chorus pedal, the Replicant Super Deluxe is where you need to be looking. The Replicant Super Deluxe has all the features you could look for in a chorus. The Mix control allows you to blend together the exact ratio of clean and modulated sounds you need, from almost all clean tone up to seasick vibrato. And speaking of seasick, the Range switch gives you three intensities of wobble to choose from. There are two seperate LFO's in this circuit that can either work together or against each other to give you the movement you want. In single mode, you can use the footswitch to choose between the A or B Rate and Depth controls. When the switch is in the Dual mode, both LFO's are working at the same time, creating interesting textures and movements of sound that you can't get with only one LFO. There is also a stereo output, allowing the sound to fill any room.

Shaman Modulator

$139 - Just like magic, the Shaman delivers all the modulation you could eve need. The Shaman is a magical box that contains a tremolo pedal, a chorus pedal and a vibe pedal all in one. The control panel offers almost unlimited control of the parameters for your modulation. The Speed and Intensity controls are pretty self explanatory, they control the rate and depth of the modulation. Where things start to get interesting is with the Symmetry and Bias control. The Symmetry control shifts the rise and fall of the waveshape. This can lead to some unique sawtooth-type waves; the Bias control effects the center frequency of modulation. There are switches to change the shape of the wave from a square wave like pulse to the classic sine-wave, as well as a three-way switch that gives you three separate speed ranges. A rotary switch selects the effect, while a second rotary changes the tonal response. To top it all off, there is stereo output to send the signal to two separate amps. All in all, this is as full featured of a modulation pedal that you will find.

Spiralizer Special Vibe

$129 - Classic bulb driven Univibe sounds are at your fingertips with the Spiralizer Special. The Spiralizer Special is a univibe in a pedalboard friendly form factor. There are a few mods to the original circuit to make it more modern friendly. There is a switch to change the input buffer from the classic found on the original, or a more modern buffer that does not suck tone and volume as much as the classic. The original also had a bit of a volume drop, but the problem was rectified with a Volume control, so you never have to worry about running out of volume with this pedal. The Depth and Ch/Vb switches work as the original, setting the depth of modulation and enabling the dry signal. There are two Speed controls, which are set by the footswitch. Set one for slow rhythm sounds, and another for faster lead passages.

Gravity Gale Phaser

$129 - With all the power of nature, the Gravity Gale phaser will knock you off your feet. The Gravity Gale is one of the more unique phasers that you will find. At its most basic level, the Gravity Gale is a 6-stage optical phaser. The optical phaser has controls for Rate and Feedback, delivering classic phasing tones. What seperates this from other phasers is the footswitchable envelope mode. When in Envelope mode, the rate and depth of your phasing is determined by your playing dynamics. The harder you hit the strings, the more phasing is present, as you lay off, less phasing. A set of controls on the Envelope side control the Sensitivity of envelope, as well as rate and modulation depth in envelope mode. There is also a direct out jack to give you a wet/dry stereo setup. Controls for Rate, Feedback, Env. Sens, Env. Mod & Env. Rate.

Delay

Bison Delay

$109 - If you are looking for a delay that is a little out of the ordinary, the Bison is what you are looking for. Based on a multi-head tape delay, the Bison delivers in a small format package. Much like a vintage Binson unit, the Bison delays your signal, then delays it again after that. Set the first delay for a long setting, then the second delay times get fedback to create a very unique delay sound. Features soft-touch relay bypass. Controls for Feedback, Mix, Delay 1 and Delay 2.

Phantom Spirit Reverb & Delay

$SOLD - The Phantom Spirit is your atmospheric all-in-one solution. Pairing both a Delay and Reverb together, this pedal will provide all the spacey sounds you can need. Starting with a delay circuit that provides up to 600ms of delay, it also incorporates a tone control to let you decide how bright or dark you want your repeats to be. The Reverb side of things adds a pre-delay aspect to the reverb, as if you are waiting for the reverberated signal to come back to you. Features soft-touch relay bypass. Controls for Attack, Dwell and Depth on the reverb, Feedback, Delay, Tone and Mix for the Delay.

Lodestone Delay

$99 - The Lodestone is a tape delay based pedal with built in modulation. This pedal gives the echos of classic tape-based delay pedals, offering you warm repeats of your signal. The tone control allows you to dial in exactly how you want these repeats to sound, from dark repeats, up to bright, airy reproductions of your sound. The modulation section of this pedal really brings out the tape-like feel of the delay. Adding some warble to the repeats gives the impression of a well worn tape on the delay. Features soft-touch relay bypass. Controls for Time, Tone, Feedback, Mix, Rate and Depth.

Baron Delay

$SOLD - The Baron is a Tape-like delay pedal. Unlike traditional delay pedals, the Baron utilizes an EP-3 based buffer/booster, like the old-style tape delay boxes. The high-headroom of the pedal gives you bright repeats, nothing too muddy to bring your sound down. This pedal features tails-repeats. When you turn the pedal off, your signal still goes through the preamp, but the delays keep going until their natural end. Features soft-touch relay bypass. Controls for Delay, Level, Tone and Feedback.

Chrono Trigger Deluxe Delay

$129 - Its two powerful delays in one enclosure. The Chrono Trigger Deluxe Delay is two delays that can be set in either parallel or series operation. In Series mode, one delay spills into the other, creating intense and interesting soundscapes. In Parallel mode, the delays are separated, giving you two independent delay lines that do not interact with each other. The Dual Footswitch turns the second delay line on and off. Controls for Mix, Feedback and Delay for each delay, and a Parallel/Series switch.

Dyad Double-Tracker

$109 - You will think that there are two of you with the Dyad. The Dyad is a double-tracking pedal in a compact form. Similar to a delay, the Dyad will give you one clean repeat. With a short delay time, this pedal will thicken your sound. At longer times, you will hear an almost reverb-like repeat of what you are playing. For a little extra ambience, there is a modulation circuit to give a bit of movement to the repeat. If you want a more slapback sound, the modulation circuit can be turned off. Controls for Delay, Mix, Depth of Modulation and LFO on/off.

Kairos Delay

$109 - Be in control of time with the Schu-Tone Kairos. The Kairos Delay is a sweet sounding analog delay pedal in a mini-enclosure. The pedal has many features you expect in a delay pedal. The Delay control takes you up to 600ms of clean repeats, while the Feed knob adjusts the amount of repeats that you hear. The Mix control works slightly differently than a typical Mix you find in other delays. At the low end of the knobs rotation, you will not hear any repeats. As you turn it up, the repeats become more prevelant. As you continue to raise the control, the dry signal fades away, allowing you to have an all delayed signal. The Tone control really drives home the voicing of the pedal. Both crisp analog delay and dark tape-echo-like repeats can be found in this pedal. Controls for Mix, Delay, Feedback and Tone.

Time Dilation Delay

$119 - Time will just melt away as you get lost with this delay pedal. The Time Dilation Delay is based on several classic tape echo machines from the past. This gives you the vintage tone you want, without all the hassle of tapes. The brain of the Time Dilation is two delay circuits with independant delay times. The magic happens with the rotary switch, selecting how these delayed circuits get routed and interact with eachother. In BI mode, it is similar to a Binson Echo, giving you an initial repeat, and then the feedback coming on the second delay time. In RE mode, much like a Space Echo, you can create a more rhythmic repeat pattern, with the input signal hitting both delays at the same time. EP mode is the most easy to use, operating as a basic delay pedal. The Tape footswitch acts as a detune function, introducing some wobble into the system.

Other Cool Stuff

Lagoon Deluxe Wah

$119 - The Lagoon Deluxe is a full-featured wah pedal, just without the treadle. The Lagoon Deluxe has all the controls you would expect to see in a tricked-out wah. There are controls to boost the overall level, to adjust the sharpness of Q, and a Gain control to boost the front end of the pedal. The Range switch gives you 4 different frequencies to center the wah around. At one end, it is a dark and brooding wah, and as you turn it up, the tone becomes brigher and brighter. The Sweep knob works exacatly as the tredle does on a traditional wah. Either set it for stuck-wah sounds or try and manipulate it with your foot for more traditional Wah sounds. If you can't live without the pedal, there is an ext. jack on the side to plug a pedal in, giving you that traditional wah feel.

Schu-Tone Prototype Pedals

Prototype pedals. All pedals feature 3PDT true-bypass switching and clear-coat finish.

Non Schu-Tone Pedals

Pedals built on non Schu-Tone PCB's and veroboard. All pedals feature 3PDT true-bypass switching and clear coat finish.

Low Tide

$SOLD - The Low Tide is a K-Field Modulator based on the Fairfield Shallow Water, built on a PedalPCB board. From the Fairfield website: "K-field (Simulation mathematics), an undefined, two-dimensional, non-linear field where past and future forces interact at irregular intervals. Shallow Water generates this k-field by randomly modulating a short time delay to create unexpected shifts in pitch. The result is this non cyclical vibrato/chorus/flanger-type thing favouring old tape flavours."

Glasshole

$SOLD - The Glasshole is an optical phaser based on the Mutron Phase II built on a Madbean board. From Madbean: "The Mutron Phasor II™ is simply a fantastic effect. I’ve built plenty of phasers over the years, and optically-based ones tend to be my favorites. There’s just something extra special in them that I don’t quite hear in OTA or FET-based phasers. And, the Mutron is about as far as you can go optically. Actually, it isn’t because I added extra phase stages to it for this project. IOW, the Glasshole is now as far as you can go optically! I await being proved wrong."

Rubber Band

$75 - The Rubber Band is a Sustainer + Parametric EQ built on a Lectric-FX Board. This is based on the TC Electronic Sustainer + Parametric EQ. From Lectric-FX: "Snap back with the Rubber Band, a reproduction of the late 70’s TC Electronic™ Sustain + Parametric EQ compressor effect. The powerful equalizer, inbuilt noise suppressor and harmonics offered by the ‘distortion’ setting (more of a subtle grit in our humble opinion) make this circuit much more than the standard compressor fare and allow for low noise, powerful tone shaping and oodles of sustain…"